GUEST: This painting was a painting that my grandfather was given.

It was given by Maynard Dixon himself.

Maynard Dixon had a studio and lived in Mount Carmel, Utah, part of the year and then, I understand, in, uh, Tucson, I believe.

Mount Carmel, Utah, would be right here on the, up the road from this scene.

So, this is looking east from Mount Carmel, where his studio would, would've been.

Probably three hours, three-and-a-half hours south of here.

It's on the east side of Zion National Park.

He had gotten himself caught and stuck in a bog of some kind, a muddy, muddy spot in a country road.

And my grandfather just happened to be out there.

He had a small farm there, and, uh, was able to pull Maynard Dixon and all of his stuff out of this muddy bog.

And a few days later, Maynard showed up on his doorstep and gave them this painting.

APPRAISER: Wow.

So, were they friends?

Did they know each other before this, this encounter?

GUEST: W, what I understand from what my father said is, everybody knew who Maynard Dixon was.

He was the odd man that everybody knew was kind of famous, but they didn't know exactly why he lived down there.

My father passed away in 1991, and so I've had it since then.

APPRAISER: It's a wonderful painting, and it's a better story.

Maynard Dixon was born in California in 1875.

Had kind of a journeyman life.

APPRAISER: Lived in San Francisco, left San Francisco after the 1906 earthquake... GUEST: Oh.

APPRAISER: ...destroyed a lot of his earlier work.

He was, um, he started off as an illustrator, as a lot of these artists did.

APPRAISER: He was pretty much self-taught.

He did go to art school in San Francisco, but he only was there for about three months, and then stopped.

He traveled around, painting in different parts of California.

He eventually discovered Arizona and the West, and fell in love with the Southwest, with Native American culture.

He did paintings of Native Americans.

In 1939, he moved to this area... GUEST: Okay.

APPRAISER: ...of Utah with his wife.

And they also had a place in Tucson, which you mentioned.

The climate was drier there, and he had some health issues.

This is an oil on board.

GUEST: Okay.

APPRAISER: It's, uh, 12 by 16 inches, which is kind of a standard size.

Artists would buy these artist boards that they could carry with them.

It's a wonderful example of his later style.

He died in 1946.

He inscribed it on the back, as well.

GUEST: Well, it has his name and address.

I believe this is the original frame.

About 25 years ago, or 30, I, I did take it in to the curator of, of the B.Y.U., uh, art museum, and they took a photo of it.

They wanted to catalogue it.

They told me at the time it w, that it should be worth from $10,000 to $15,000.

APPRAISER: The insurance value for this painting would be $50,000.

GUEST: Oh, my gosh.

(laughs) Well, I hope we never have to collect.

(laughing) ...on that insurance policy, but... I, uh, yeah.

I just, I like it because of the history.

My father was really attached to this painting, and, uh... (chuckles) I'm blown away.

APPRAISER: Dixon's auction record is, uh, over $2 million.

GUEST: Wow--oh, my.